Laocoon. An essay upon the limits of painting and poetry.
The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific.
Get this from a library! Laocoon: an essay on the limits of painting and poetry. (Gotthold Ephraim Lessing; Edward Allen McCormick).
Originally published in 1766, Lessing's seminal tract is a turning point in the study of Western art. In this essay on the origins, forms, and influences of painting and poetry, Lessing helped frame modern conceptions of the artistic medium, and founded our.
Now back in print, and with the addition of two supplementary essays, Henry E. Allison’s book argues that, despite appearances, Lessing was not merely an eclectic thinker or intellectual provocateur, but a serious philosopher of religion, who combined a basically Spinozistic conception of God with a sophisticated pluralistic conception of religious truth inspired by Leibniz.
Title: Laocoon: An Essay on the Limits of Painting and Poetry (Johns Hopkins Paperbacks) Author Name: Lessing, Prof Gotthold Ephraim Categories: Aesthetics, Publisher: JOHNS HOPKINS UNIV PR: ISBN Number: 0801831393 ISBN Number 13: 9780801831393 Binding: Paperback Book Condition: Good Seller ID: 2XUERV0011RJ Description: The cover has visible markings and wear.
Laocoon. An Essay Upon The Limits Of Painting And Poetry. With Remarks Illustrative Of Various Points In The History Of Ancient Art. PREFACE. A TRANSLATION of the Laocoon was given to the English public by E. C. BEASLEY, one of the tutors of Leamington College, in 1853.
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